Manufacturing Tradeoffs, Geometry Limits, and Why I Ended Up with SLS Nylon
One of the trickiest parts of this digital dash project hasn't been the LEDs, the PCBs, or the firmware—it's been the light guides.
These parts sit between dense SK6805-EC10 LED arrays and the visible gauge indicators. Their job is to:
On paper, that sounds straightforward. In reality, it forces some brutal constraints on geometry and manufacturing, especially around thin, opaque walls and sharp interior corners.
This writeup walks through the manufacturing methods I evaluated, the constraints I ran into, and why I ultimately ended up with single-part SLS black nylon for the light guides.
The requirements driving the design:
To fit within the gauge stackup and keep channel spacing tight.
Any glow or bleed through a wall means ghosting between adjacent segments.
Internal corners define where one segment stops and the next begins.
The light guides have to respect LED positions, component clearances, and mechanical mounting.
And all of this has to survive automotive conditions: vibration, temperature swings, and long-term reliability.
I initially considered CNC machining the light guides out of materials like PMMA or polycarbonate. Mechanically, these would be great. Optically, they can be polished to very high quality.
But there's a fundamental issue:
Any process using a rotating endmill cannot cut a perfectly sharp internal corner aligned with the tool axis.
Because the cutter is round:
For light separation, those radii become unwanted light paths.
For the light guides, that means:
You can try to work around this with multi-part assemblies or inserts, but that complicates the design and manufacturing a lot.
This limitation pushed me to look harder at additive methods—especially those that can create sharp internal features without tooling access.
Pros:
Cons:
Verdict:
Great for early prototypes of shape, but not even close to acceptable for production or real optical behavior.
On paper, SLA looks perfect:
But there's one non-negotiable requirement it fails:
I need walls around 0.5 mm thick to be truly opaque in the visible spectrum.
The problem:
Despite being marketed as "opaque," SLA resins just aren't fully opaque at those thicknesses. At ~0.5 mm:
It isn't just pigment loading; it's also the underlying polymer network. UV-cured resin simply doesn't block light efficiently enough in thin sections for this use.
Verdict:
SLA is fantastic for form and fit, but fundamentally fails the light-blocking requirement. It's useful for quick visual/fit prototypes, but not as a functional light guide material here.
This is the method I ended up using.
Pros:
No need for multi-piece assemblies to work around tool access. Internal channels and baffles can be built in one shot.
With the black nylon SLS material, walls around 0.5 mm thick are opaque enough to prevent light bleed between channels. This is crucial: the material actually does what the datasheets and marketing often hand-wave.
Plenty accurate for aligning with LED arrays and PCB edges.
Inside the baffles, a slightly matte surface helps absorb stray light instead of reflecting it.
Cons:
Verdict:
For this use case—opaque, thin-walled light channels with complex internal geometry—black SLS nylon hits the sweet spot between function and manufacturability. It's the process I chose for the actual light-guide parts.
SLM is interesting because it solves one major geometric problem:
From a pure geometry perspective, SLM would actually be excellent for this: crisp internal corners, robust structure, no tool access concerns.
But there are some big deal-breakers:
That long-term reliability concern is a big one: I don't want the light guide itself to become a failure mode.
Verdict:
Geometrically wonderful, but too heavy, too expensive, and potentially risky in a high-vibration automotive environment due to the chance of chipping solder mask or creating metal debris.
After working through all of the above, the decision to use single-part SLS black nylon came down to a few key points:
In other words: SLS isn't the most visually glamorous process, but for opaque, thin-walled, complex internal geometry in a high-vibration automotive application, it does the job better than anything else I tested.
This light-guide work ended up being a good example of how:
The final light guides aren't just shaped by LED placement or aesthetic design—they're the result of a careful balance between optics, mechanics, manufacturing limits, and automotive reliability.